What Rachmaninoff Did for Russian Music

Sergei Rachmaninoff is remembered for the Paganini rhapsody, the two middle concertos, a prelude in C-sharp minor, and sometimes, a vocalise. The portrait painted by this “Best Of” compilation is of a man who procured steadfast melodies and unrelenting sentimentality till the day he died. Beyond these works too, you won’t find much that deviates from this pattern. Relatively speaking, he didn’t have eras or periods of stylistic evolution like, say, Stravinsky....

October 7, 2010

McNeely Borrowed from Walton

So as I said I would, I finally got around to evaluating the claim that Joel McNeely’s score to the novel and video game Shadows of the Empire “borrows” plainly and unashamedly from the ballet The Quest by 20th century British composer William Walton. I’ll say right now that my findings lend a lot of credence to the forum post that inspired my investigation: I think somewhere along the way Joel McNeely thought to himself “Gee, this ballet sounds a lot like Star Wars, so why don’t I rip it off for Shadows of the Empire?...

September 11, 2010

Rachmaninoff Had a Dog

As one who adores the larger canine breeds, I felt compelled to make good on my recent tweet by providing proper visual aid. To be fair, the photograph makes no effort to establish the owner relationship between the two subjects, but as I tweeted, it’s darn cute. … though I wish people made a better effort to smile back in the day.

August 29, 2010

Ravel, An Inspiration to Joel McNeely

Not everyone is familiar with the installment of the Star Wars franchise titled Shadows of the Empire, but that’s mostly because it was a media event that never made it to the big screen. Nonetheless, the video game it spawned deserves some recognition among video games for its use of a fully orchestrated, studio recorded, original soundtrack composed by film and TV composer Joel McNeely. Shadows of the EmpireThe 1996 multimedia project involving a novel, comics, and video game, among others....

August 8, 2010

The Magical Raised Fifth (or Flat Six)

There’s something special about the fifth scale degree of the tonic (major) key when raised a half-step. Granted, there’s something special about every non-key pitch in a tonal system, but what really captivates me about the flat six is its affective power in a Romantic context. Take a minute to listen to this excerpt: what do you feel when you hear the horn make its solo entrance above the sustained bassoon and strings?...

July 15, 2010